|High school students read from Fitzgerald's classic |
works outside the Scott and Zelda Fitzgerald
Museum in Montgomery, Alabama.
Photo by Patrick Miller
Locations: Mississippi, Alabama, Georgia
Photos: provided by the Southern Literary Trail, unless otherwise credited
“THE SOUTHERN LITERARY TRAIL connects southern places in Alabama, Georgia and Mississippi that inspired great American writers to create classic fiction and plays. The inspiration continues. Every two years, the Trail's organizers host Trailfest, the only tri-state literary festival in the United States with free events, theatrical performances and heritage tours.”
---From the Southern Literary Trail website
The Southern Literary Trail uses a central website to connect all these places and events, providing a convenient gateway for readers to browse through all the tourism opportunities. The website includes links to individual museums and attractions along with updated schedules for events. The following is my dialogue with the Trail’s founder, William Gantt. Visit the Southern Literary Trail by clicking this link: Southern Literary Trail.
Interview with William Gantt, Founder of the Trail
|Rowan Oak, the home of Faulkner|
in Mississippi, one of the
attractions on the Southern Literary Trail.
Patrick Miller: One of the most interesting aspects of the Southern Literary Trail is its multi-state organization. Instead of each tourism attraction working independently to promote itself, all the attractions benefit from a central website. For example, I started looking at the trail when researching Monroeville’s tourism connection to Harper Lee, but suddenly I was clicking on links and reading about the Scott and Zelda Fitzgerald Museum in Montgomery, Faulkner’s house in Mississippi, and other literary tourism attractions in Georgia. I wouldn’t have known about those other places without a central website connecting them all with easy links, for example this link to the Scott and Zelda Fitzgerald Museum.
Did the partner attractions experience a marked increase in tourism after joining the Southern Literary Trail? If so, has that increase accelerated over time? For example, a Monroeville resident told me that the Monroe County Courthouse and Museum used to be visited by individual carloads of tourists, but now long lines of buses are arriving every year for the events.
William Gantt: Yes. Our partner sites have reported increases in both visitation numbers and general exposure by their participation in the Southern Literary Trail. For example, the Carson McCullers Center was contacted by a McCullers fan in Japan who discovered the Center on our website. This fan has attended two events in Columbus, Georgia, dedicated to Carson McCullers since her discovery of the Trail. Many of our sites report visits by guests who are using the Trail map as their guide for literary tourism through the three member states. Some of these visitors have been from Europe.
Miller: Whenever literary tourists visit attractions on the Southern Literary Trail like Monroeville or the Fitzgerald Museum, they are likely to be staying in local hotels, eating in local restaurants, and shopping in local stores during their visit. All of this economic activity is great in good times, but now that the economy is on the verge of collapse, are such tourism attractions becoming vital rather than just beneficial to local economies?
|Food for thought: Literary tourists |
also spend money in local restaurants!
Gantt: Trail attractions and programs definitely bring tourists into their towns. It goes without saying that tourists want lodging and good local food. I think any collaboration is beneficial, and it certainly maximizes the expenditures of public funds when multi-state partnerships are created for investments in collective promotion and mutual programs.
Miller: If the federal government did establish a national literary trail, how important would it be to use the Southern Literary Trail as a model? Are there any mistakes or pitfalls that you would warn them to avoid based on your experience? Would you want to merge into such a national trail, remain completely independent of it, or establish a regional autonomy within a national publicity platform (i.e., each national region would run its own trail, but all would be highlighted and publicized on the national trail).
|Andalusia Farm in Georgia.|
Gantt: I think our Trail serves as a model for anyone who seeks to cross state lines for creative or artistic purposes. You must realize that individual partners do not want to surrender or give up their own personalities in the process. So, you must avoid the mistake of seeking collaboration at the cost of individuality. Every literary museum takes on the personality of its particular writer. Naturally a house museum such as the Welty House, the Fitzgerald House Museum, Rowan Oak or Andalusia Farm will reflect the personality of its occupant. That’s what you want. Visitors go to Rowan Oak to see how Faulkner lived. Consequently, a partnership must seek to celebrate the differences and individuality of each partner. It is a common mistake for collaborative projects to seek “common ground.” The Trail merges some amazing and unique writers through the “common ground” of great 20th Century American fiction and a theme of place as influential on writing. Beyond those shared traits, we seek to celebrate the differences and diversity of our writers.
Miller: The Europeans have a well-organized, lucrative literary tourism industry, but America seems to lag far behind in this market, except for the Southern Literary Trail. Is there something unique about the South that produced our nation’s first multi-state organized literary trail? Why do you think the rest of the country hasn’t caught on to the idea yet?
Gantt: I am pleased to say the Southern Literary Trail is the nation’s only tri-state literary trail. In the South, we are storytellers, and we appreciate great stories. Perhaps Europeans have a similar storytelling culture. I hope that our success indicates the rest of the nation is ready for this concept that we have pioneered.
|Update: Jan. 2012, F. Scott Fitzgerald's This Side of|
Paradise: Interactive Tourism Edition released
with links to the Southern Literary Trail (seen above)
inside the book. Available as exclusive Kindle edition.
Would such links dramatically increase tourism to the trail’s attractions? For example, what if every Kindle edition of The Great Gatsby included a direct link to the Fitzgerald Museum’s page on the Southern Literary Trail in Montgomery? Or perhaps every Kindle edition of To Kill A Mockingbird included a Southern Literary Trail link to Monroeville? Millions of people will continue to read these classic novels for generations, but many don’t know about the literary tourism sites or events related to the books. Would you consider partnering with the publishers to advise them in producing Tourism Editions of these classic books?
Gantt: Of course. We are looking for any partnership that will promote reading of classic Southern fiction, which is also the best American writing in my opinion. I still buy books that consist of paper and bound covers, but we certainly have organizers and participants in the Trail who could assist in connecting and linking with newer technologies.
Miller: Have you ever considered including contemporary authors on the Southern Literary Trail? I know that such an inclusion would require a high standard of literary merit, not just high sales numbers. However, how would one identify modern novels that will one day become literary classics?
For example, take Alabama author Watt Key’s debut novel Alabama Moon from 2006:
|A classic novel for the 21st century?|
• Sold over 100,000 copies
• Published by a major New York house
• Made into a movie starring John Goodman
• Translated into several languages
• Already being taught in schools
• Has a classic theme on the importance of human relationships
• Set in the real Talladega National Forest of Alabama
• Today's Tom Sawyer: Camping Under An Alabama Moon
Gantt: The Trail’s bylaws require our honored writers to be authors of classic 20th Century fiction that can be readily identified with particular places. Contemporary writers are not candidates for the Trail in the foreseeable future. But, we do honor current writers in our programs and celebrations, notably current writers who are clearly influenced by a sense of place. The Trail structure does provide us with a great tentpole to celebrate contemporary fiction writers within these themes. Our bylaws do not include writers of non-fiction.
|Can contemporary tourism novels use mystery,|
suspense, and romance to boost
tourism across the nation? Blind Fate
is the first tourism novel to use links
inside the story to allow readers to
visit the websites of the real settings.
Gantt: All a modern reader needs for an introduction to Fitzgerald’s complex views of romance and love is “The Ice Palace,” a short story about his romance with Zelda and inspired by Montgomery. The Alabama Readers Theatre just performed it in several of our Trailfest 2011 programs and it mesmerized our audiences. Any reader will get hooked on Fitzgerald and his notions of romance with “The Ice Palace.” Hopefully one story or novel leads to another after the initial introduction has been made.
|The first classic novel in the world with an|
interactive tourism guide, now available at Amazon.
Editor's Note: For a great excerpt from an article written by Fitzgerald on the inspiration of “The Ice Palace,” visit this link: "The Ice Palace" Fitzgerald's southern inspiration.
Miller: In today’s society, most of us are extremely distracted by a variety of entertainments, from Facebook, to smart phone apps, to hundreds of satellite and cable channels. I enjoy reading classic works because they were written before such distractions seemed to take over our national attention span. Reading a classic novel is almost a relaxing step into a time that was more focused and meaningful. Is it more difficult to market something like the Southern Literary Trail in such a fragmented society or have you found that modern tools like the Internet help?
Gantt: The internet absolutely made the Trail possible. This project would not have existed without the internet. Most of our communications between Trail partners and organizers are conducted electronically or via social networks.
Miller: What are the plans for the Southern Literary Trail to expand into other Southern states? For example, there is Hemingway’s home in Key West: http://www.hemingwayhome.com/.
Gantt: At the moment, we are building our project within the three original member states. Our Trail board voted not to add any more states for the next two years, at least.
|Large crowds of tourists at the Monroe|
County Courthouse and Museum in
Monroeville, AL, hometown and
inspiration for Harper Lee's classic
novel To Kill A Mockingbird.
Photo by Peggy Collins,
Alabama Department of Tourism
Miller: The Southern Literary Trail is an emerging economic engine in the states hardest hit by the recent tornadoes and the after-effects of the Gulf Oil Spill. What role could the federal government play in helping to boost our tourism as a way of paving our road to recovery?
For example, what would be the impact if President Obama gave a national speech highlighting the Southern Literary Trail from the beautiful grounds of the Fitzgerald House (which served as the first meeting place of the Southern Literary Trail’s organizers)? Such a speech might include an invitation for other states and regions of the country to adopt the same model of literary tourism to be promoted on a national website. Alabama was already hard-pressed to meet its budgetary goals before these tragic events, but increased state tourism revenues can help the overall recovery effort in areas that need it the most right now. How critical are tourism revenues to the state budget and would such national publicity be worth even more (in potential tourism revenues and jobs) than FEMA grants?
Gantt: We would welcome a speech by the President or any national leader that highlights the Trail and encourages visitors to discover us! I must remind you that we are not just a tourism project. Many of our partner sites actually are dedicated to scholarship efforts, such as providing homes to writers and artists in residence. While we encourage literary tourism, I would hope that some national recognition might be paid our sites for their promotion of literary scholarship. For example, the Lillian Smith Center in Clayton, Georgia, has an artist in residence program every summer. It is not generally opened for tourism, but it still does very important work for the promotion of both classic and contemporary Southern Literature. The McCullers Center can be toured by appointment, but its daily mission is research and scholarship.
|The interior of the Monroe County Courthouse|
during a reenactment of the trial in
To Kill A Mockingbird. Photo by Peggy
Collins, Alabama Department of Tourism.
Miller: Generations of readers have not only been entertained but enriched as human beings by classic novels. Many of the travelers on the Southern Literary Trail have read the books long before, but what is their experience when stepping into the many attractions on the trail? How does visiting the physical places add to the experience of reading the book? For example, what is it like for fans of Harper Lee’s To Kill A Mockingbird to step into the real courtroom that inspired her famous trial with Atticus Finch?
For pictures of Monroeville and the courthouse, click here: Hollywood Visits Monroeville.
Gantt: As I stated, the influence of place upon Southern fiction is one of the themes of the Trail. For a reader to step into the settings that influenced one of his or her favorite novels can be as life-affecting as reading the book itself. We make these experiences possible along our Trail. I am grateful to this blog and so many others for helping us to create and promote this journey for readers.